JYP’s Vocal Analysis April 1, 20170. S vocalists: Stylistic vocalists, Companies: JYP Entertainment, Soloists, Tenors, Vocal Analyses, Vocal Ranges: 2 Octave Ranges가요, 박진영, 보컬분석, 음역대, JYP, K-Pop, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading JYP’s Vocal Analysis → Advertisement
Roy Kim’s Vocal Analysis January 28, 20170. MB Vocalists: Mid-range belters, 0. MH Vocalists: Mid-range head voice vocalists, 0. S vocalists: Stylistic vocalists, Baritones, Companies: CJ E&M, Soloists, Vocal Analyses, Vocal Ranges: 2 Octave Ranges로이킴, 가요, 보컬분석, 음역대, K-Pop, Roy Kim, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Roy Kim’s Vocal Analysis →
Park Hyoshin’s Vocal Analysis January 4, 20170. HB Vocalists: High range belters, 0. HV Vocalists: High head voice vocalists, 0. LR Vocalists: Low range vocalists, 0. MA Vocalists: Melismatic/Agile Vocalists, 0. S vocalists: Stylistic vocalists, 0. WR vocalists: Well rounded vocalists, Soloists, Tenors, Vocal Analyses, Vocal Ranges: 3 Octave Ranges가요, 박효신, 보컬분석, 음역대, K-Pop, Park Hyoshin, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Park Hyoshin’s Vocal Analysis →
Jung Dongha’s Vocal Analysis December 29, 20160. HB Vocalists: High range belters, 0. HV Vocalists: High head voice vocalists, 0. LR Vocalists: Low range vocalists, 0. S vocalists: Stylistic vocalists, 0. WR vocalists: Well rounded vocalists, Soloists, Tenors, Vocal Analyses, Vocal Ranges: 3 Octave RangesBoohwal, 가요, 보컬분석, 부활, 음역대, 정동하, Jung Dongha, K-Pop, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Jung Dongha’s Vocal Analysis →
Ock Joohyun’s Vocal Analysis December 24, 20160. LR Vocalists: Low range vocalists, 0. MB Vocalists: Mid-range belters, 0. MH Vocalists: Mid-range head voice vocalists, 0. WR vocalists: Well rounded vocalists, Soloists, Sopranos, Vocal Analyses, Vocal Ranges: 3 Octave Ranges가요, 보컬분석, Fin.KL, 핑클, 옥주현, 음역대, K-Pop, Ock Joohyun, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Ock Joohyun’s Vocal Analysis →
EXO’s Vocal Analysis: D.O. [Rewritten] December 24, 20160. HB Vocalists: High range belters, 0. MA Vocalists: Melismatic/Agile Vocalists, Companies: SM Entertainment, Groups, Tenors, Vocal Analyses, Vocal Ranges: 3 Octave RangesD.O, exo, 도경수, 디오, 가요, 보컬분석, 엑소, 음역대, K-Pop, Kyungsoo, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading EXO’s Vocal Analysis: D.O. [Rewritten] →
Bada’s Vocal Analysis November 28, 20160. MB Vocalists: Mid-range belters, 0. MH Vocalists: Mid-range head voice vocalists, Soloists, Sopranos, Vocal Analyses, Vocal Ranges: 3 Octave RangesBada, 가요, 바다, 보컬분석, 에스이에스, 음역대, K-Pop, S.E.S., Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Bada’s Vocal Analysis →
Moon MyungJin’s Vocal Analysis November 28, 20160. HB Vocalists: High range belters, 0. MA Vocalists: Melismatic/Agile Vocalists, Soloists, Tenors, Vocal Analyses, Vocal Ranges: 2 Octave Ranges문명진, 가요, K-Pop, Moon MyungJin, Tenor, Vocal Analysis, Vocal Range, Vocal Techniqueahmin3 Continue reading Moon MyungJin’s Vocal Analysis →
Red Velvet’s Vocal Analysis: Wendy November 28, 20160. HV Vocalists: High head voice vocalists, 0. LR Vocalists: Low range vocalists, 0. MB Vocalists: Mid-range belters, 0. WR vocalists: Well rounded vocalists, Companies: SM Entertainment, Groups, Sopranos, Vocal Analyses, Vocal Ranges: 4 Octave Ranges가요, 보컬분석, 음역대, K-Pop, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniquepandayeu Continue reading Red Velvet’s Vocal Analysis: Wendy →
Ali’s Vocal Analysis October 23, 20160. MB Vocalists: Mid-range belters, 0. MH Vocalists: Mid-range head voice vocalists, 0. ML Vocalists: Mid-low range vocalists, 0. S vocalists: Stylistic vocalists, 0. WR vocalists: Well rounded vocalists, Mezzo-Sopranos, Soloists, Vocal Analyses, Vocal Ranges: 3 Octave RangesAli, 가요, 보컬분석, 알리, 음역대, K-Pop, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Ali’s Vocal Analysis →