List Of Analyses

Soloists:

Ailee

Ali

Ann One

Bada

Ben

BoA

Dia

G.NA

IU

Jay Park

Jessica Jung

John Park

K.Will

Kim Yeonji

Lee Hi

Lena Park

Moon Myungjin

Naul

Shannon Williams

Sohyang

Son Seungyeon

Younha

Disbanded Groups:

2NE1:
Minzy
Park Bom

4Minute:
Gayoon
Jiyoon

KARA:
Gyuri
Seungyeon

Rainbow:
Jisook
Hyunyoung

Active Groups:

*Vocalists who have left their groups will be included within their groups’ lists if they were analyzed when they were still members of their groups.

15&:
Baek Yerin
Jimin

100%:
Hyukjin
Rokhyun

2AM:
Changmin
Jokwon

2PM:
Junho
Jun.K

After School:
Jungah (former)
Raina

Akdong Musician:
Suhyun

AoA:
ChoA

A Pink:
Eunji

B.A.P.:
Daehyun
Youngjae

B1A4:
Sandeul

B2ST:
Hyunseung (former)
Yoseob

BESTie:
U.Ji

Big Bang:
Daesung
Taeyang

Boyfriend:
Hyunseong

Block B:
Taeil

Brown Eyed Girls:
Gain
Jea
Narsha

BtoB:
Changsub
Eunkwang
Sungjae

BTS:
Jungkook
V

CNBLUE:
Jung Yonghwa

CSJH The Grace:
Dana
Lina

Davichi:
Lee Haeri
Minkyung

DGNA/The Boss:
Mika
Hyunmin

EXID:
Solji

EXO:
Baekhyun
Chen
D.O.

f(x):
Krystal
Luna

Fly To The Sky:
Hwanhee

F.T. Island:
Lee Hongki

Girl’s Day:
Minah
Sojin

Girls’ Generation:
Seohyun
Sunny
Taeyeon
Tiffany

GOT7:
JB
Youngjae

Homme:
Lee Hyun (Former member of 8Eight)

Infinite:
Sungkyu
Woohyun

JYJ:
Jaejoong
Junsu

Ladies’ Code:
Sojung

Lovelyz:
Kei

MBLAQ:
G.O.

Mamamoo:
Hwasa
Solar
Wheein

Miss A:
Min

MYNAME:
Gunwoo

NU’EST:
Baekho

Red Velvet:
Wendy

Secret:
Jieun

SHINee:
Jonghyun
Onew
Taemin

SISTAR:
Hyorin
Soyou

SPICA:
Boa
Bohyung

SS501:
Youngsaeng

Super Junior:
Kyuhyun
Sungmin
Ryeowook
Yesung

Super Junior-M:
Henry
Zhoumi

T-Ara:
Soyeon

Teen Top:
Chunji
Niel

TVXQ!:
Changmin

U-Kiss:
Kevin
Soohyun

VIXX:
Ken
Leo

WINNER:
Seungyoon
Taehyun (Former)

Wonder Girls:
Sunye (Former)
YeEun

 

201 thoughts on “List Of Analyses

      1. would you mind giving an update on the rewrite? I read the other EXO posts here and found them very insightful, as well as the old post on D.O.

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      2. There’s nothing for me to update you on, I’m sorry. It’s not my analysis, I don’t really know the status of it right now but it should be posted this month.

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  1. Hi! I know that this is really random and probably out of place (and if you don’t have the time, I don’t mind if you don’t address it), but how would you rate the 1D members’ singing?

    These are a few examples:

    Nothing specific, just a few comments or observations that you may have made. And I know that with only a few performances that it’ll be hard to tell, but thank you so much!

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    1. I’m sorry but we only answer video questions regarding artists/vocalists we are going to analyze in the future and we’re not analyzing non-Kpop artists. I apologize.

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  2. hello pls make one for blackpink! all of them have good vocals!

    btw thank you for your analyses! im going to do an edit out of these 😍

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    1. Technically this isn’t a vocalist we’ll analyze, but it is sort of K-pop so I’ll give a brief answer. That last note was an F#4, which for him as what it seems like to be a baritone voice, is pretty high. It wasn’t well executed, I hear tightness and tension in his throat though. Which is okay, cause F#4 is hard. I think up to maybe E4 or F4 he wasn’t doing bad, he is not a bad vocalist but he’s not going viral for his singing alone so…this show usually has people going viral for the wrong reasons, like the many Naul imitators who can sort of sound like him while singing as high as him but with subpar technique and strain most of what they sing.

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      1. yea because it was in a kpop show i had a bit of hope you might answer me and you did haha thank you! by the way im curious, have you decided which vocalist from your future analysis list you will analyze next? im looking forward to got7’s youngjae, do you happen to know if he is a baritone or a tenor?

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      2. Oh I’m going to keep analyzing the other 2014 debuts. So GOT7’s Youngjae and JB, but first Suhyun. Also Youngjae is most certainly a tenor.

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    1. This is really your sister? I mean she doesn’t sound bad, she has an accent and that gets a bit in the way but not too much. She has a head voice, pretty good pitch. Her voice sounds too young, so she the upper head voice notes sound pushed and a bit shrill. Sometimes her voice is just too light because it’s so young, it lacks fulness or maturity but that’s not her fault. Oh she didn’t do the run at the end, mhmm this is not bad. Her head voice just needs to be developed more in terms of maturity, placement and tone quality, but not bad at all.

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      1. Yes she could be and she already sounds like she has a lot of potential uncovered and a lot more to be uncovered.

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    1. I don’t know who Brendon Urie is by name although he sounds familiar. Josh Groban should be much more than average but I honestly don’t know.

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  3. iKON’s Junhoe please! He’s one of the most powerful and stable vocals i’ve ever heard. Personally, best voice in the whole Korea’s music industry! Plus it doesn’t hurt that he’s gorgeous! He’s far too perfect❤️

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    1. He’s already included in our future analyses list, so please refer to that page when making requests. ^ ^ He debuted in 2015, so he won’t be analyzed anytime soon. Also if I may, I hope you don’t resent us if his analysis isn’t favorable due to technical reasons. From what I’ve heard of him, his technique isn’t very good so I just don’t wish for you to be upset if when the analysis comes out, the result isn’t as high as you’d expect. >_< We will most certainly analyze him objectively and give a very good explanation as to how he uses his voice, in technique.

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  4. Will there be an analysis of SE7EN?🙂 really would like to know about it. How he is doing as a singer with singing technics nd so on🙂

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    1. Please check our future analyses page when making requests, his name is already there. Since he hasn’t been active in the industry in a while, he won’t be analyzed soon unfortunately.

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    1. Stable is one of my pet peeve words. lol Mhmm I don’t hear a change in their technique, the chorus is really high for them. You should’ve posted this question on 100%’s analyses, as it’d be more relevant there for fans who seek to know more about their current singing.

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  5. Was there any k-pop group that really stood out to you (vocally) when you heard them for the first time? Like MAMAMOO or a group like that?

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  6. I can’t see the future analyses for some reason, I don’t know why…
    Can you please analyse DK from Seventeen?
    Thank you for always being objective, I love reading your analyses!!

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      1. Ahmin. Wendy’s analysis is done. I guess taeyeon’s aporoach in singing is better than wendy but based on wendy’s analysis she has a better low and head voice than taeyeon. Who do you think is better between the two proficient singer?

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  7. Thank you so much for your hard work, I read the future analyses list and I’m looking forward to Topp Dogg and Twice members vocal analyse. I hope that, in a future, you can analyse SF9 members, obviously not now since they just debuted. They have 5 vocalists, but I would suggest Kim Inseong and Yoo Taeyang.

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  8. I don’t need a response or anything, I just wanted you all to know that I love you all and this page. Talk about dedication! These long, in-depth, and detailed analysis. AND you respond to comments ASAP. Awesomeness. This page really helps me with my evaluations and to clarify what I’m hearing. So, thank you and I look forward to all the new and/or updated reviews!

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  9. Hello! I hope you are all warm and cozy for the winter that’s waiting around the corner! ^_^ This might seem like a silly question but what’s the differences between Light lyric/Lyric/Full lyric/etc? Also, if this is not too much ^^;;, how do you determine someone’s voice type? Is it the range they are most comfortably singing in, or are there other factors you have to consider?

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    1. Well hi there! It’s not as cold in here as where you are but thank you for lovely wishes. We will be as warm as possible. Well it’s hard to say, lyric is a subtype of the voice, lyric, spinto, dramatic and such are all subtypes, except lyric is divided into light and full for sopranos and for tenors as well, as far as I’m informed. So mezzos, basses, baritones and contraltos are just lyrics. As for light and full lyric, it has to do with the size of their instrument as well as the thickness of the vocal cords, how mature they sound and how loud they naturally are. It usually has to do with tone quality and volume. If you think about it, there could be alternative full and light lyrics for other voice types, like me for an example or Sungjae or Youngjae, we are all more like a light lyric baritone tone quality than say someone like Hwanhee, Hwang Chiyeol, Kim Jinho or John Park, who are heavier in tone and although still lyric voices, would be like the full lyric baritone if there was such a thing. So it doesn’t exist for baritones, but it’s that kind of a difference, it’s the weight of the voice.

      For voice types, you go for their passaggi. The easiest way to tell is when you hear a person mix or when they start to sing “high” within their own voice. So for an example many untrained sopranos sound like they’re struggling technically to sing around the A4 ~ C5 range many times, but if you listen to the quality of their voices, they don’t seem to be near a belting range JUST yet when they sing around G4 ~ Bb4, so they may sound strained but they can keep straining even as high as G5 at times. Now when you hear a mezzo, they’ll sound like they’re belting much lower, so if you hear SPICA’s Boa, EXID’s Hani or even Ali, their G4 ~ Bb4 range is a lot more belting like because that’s higher of a range in their voices than it is for a soprano, even untrained ones. Also listening to their lower ranges and seeing where their voice naturally lies. Now for mezzos and sopranos is harder cause their voices aren’t too far apart, but for baritones and tenors is easier. A tenor won’t sound like they’re belting until F#4/G4, even if their mix starts earlier than that. Whereas a baritone belts around D4/Eb4, I mean even lower it’s also their mix but you can hear the quality of their voices being quite a bit far apart. A baritone singing a G4 will sound much more like they’re at the top of their range than a tenor singing G4, because G4 is a lot closer to their mid belting range. So it’s to do with passaggi, where their voices transition naturally from chest to mix and from mix to head voice. It’s not do with where they’re comfortable, because comfortability often can be an illusion caused by lack of technique.

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      1. Ah, Scandinavia is freezing around this time of the year ^^;; but still, hot chocolate is never a bad thing🙂

        I see, so is it a correct assumption that depending on your subtype it might affect the agility of your voice? Or am I mixing it up with something else :v?

        If a singer trains their voice properly and expands their vocal range, will the passaggi change as well? I feel like they would change, not dramatically maybe, but a few semitones kinda? If so, wouldn’t it be more difficult to determine someone’s voice type?

        Thanks for your answers! They have helped with my curiosity tremendously ^^! Stay healthy!😀

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      2. Yes, to an extent lighter voices are better at runs whereas heavier voices have an easier time with sustaining notes. But that’s all technicalities and everything can be worked on and in the end, it doesn’t REALLY matter in pop music. The passaggi don’t change, the place where the mix voice starts is always the same, the only thing that changes is how easily you can sing through the passaggi. What you’re thinking is when the head voice NEEDS to happen or something like that, yeah that will change but the note of transition in the muscle coordination. So no, the voice type is still determinable regardless. ^ ^ You stay healthy too!

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  10. Hello, may I ask if you could analyse Jinyoung’s performance in this video? In my opinion he sounded good, but I wanted to know if his technique was good. I wanted to find his voice analysis but I realised that it wasn’t up, so I commented this here (I’m sorry!)

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    1. I’ve answered a question about this exact link already so I’ll copy-paste:

      “Actually Jinyoung was a considered analysis at one point in the past for me but he was barely ever requested, actually basically never. Because of that and because neither him nor CNU seem to have very good technique at all, I just kind of dropped them as analyses since nobody really requested them. Jinyoung seems to have a better airflow and stretch of his vocal cords, it’s less shallow than CNU’s but 1:24 2:43 his F4’s can sound really pushed, like he is using too much air pressure even this low and not supporting his voice properly at all. He is whiny when he gets that high as well, which again for a tenor is not high enough to present him with such a challenge. 3:27 F#4 or G4 and the run was messy, also parts like 3:34 3:42 where he lets go of support almost completely, 3:38 G4 pushed strained, he sounds really whiny. He sounds a lot more likely to be a weak or a weak to average vocalist. If he were to have been an average vocalist, I would’ve analyzed him already but because I felt he was going to end up lower than that, I just didn’t go through with the analysis. Sorry about that. Maybe someday in the future.”

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    1. The lower part, the F3’s and that range, you sound like you’re pushing your larynx far too low and you need to relax more. You don’t need as much pressure in your throat to get the lower notes to project. The higher parts sounds a bit too airy, and a bit too nasal, 0:55 there’s far too much air coming through here. Your pitch is very good and your voice is quite pretty, but there’s just too much airiness and so you run out of air really quickly throughout. You need to work on fixing that, the amount of air you use needs to be re-evaluated.

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      1. Is the rating all you care about? There’s more to the analyses than the rating. We don’t know vocalists’ final rating until their analyses are out. We can’t guess with a 100% certainty.

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