Dia’s Vocal Analysis July 27, 20160. HV Vocalists: High head voice vocalists, 0. MB Vocalists: Mid-range belters, Companies: Winning InSight Entertaiment, Soloists, Sopranos, Vocal Analyses, Vocal Ranges: 3 Octave RangesDia, 디아, 가요, 보컬분석, 키스앤크라이, 음역대, K-Pop, Kiss&Cry, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Dia’s Vocal Analysis → Advertisement
Ben’s Vocal Analysis July 20, 20160. MB Vocalists: Mid-range belters, Companies: The Vibe Entertainment, Soloists, Sopranos, Vocal Analyses, Vocal Ranges: 2 Octave RangesBen, 벤, 보컬분석, 음역대, K-Pop, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading Ben’s Vocal Analysis →
100%’s Vocal Analysis: Rokhyun July 15, 20160. MB Vocalists: Mid-range belters, 0. MH Vocalists: Mid-range head voice vocalists, Companies: TOP Media, Groups, Tenors, Vocal Analyses, Vocal Ranges: 2 Octave Ranges100%, 록현, 백퍼센트, 부컬분석, 음역대, K-Pop, Rokhyun, singing, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading 100%’s Vocal Analysis: Rokhyun →
100%’s Vocal Analysis: Hyukjin July 15, 20160. MB Vocalists: Mid-range belters, Companies: TOP Media, Groups, Tenors, Vocal Analyses, Vocal Ranges: 3 Octave Ranges100%, 백퍼센트, 보컬분석, Hyukjin, 혁진, 음역대, K-Pop, singing, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading 100%’s Vocal Analysis: Hyukjin →
BtoB’s Vocal Analysis: Sungjae July 8, 20160. M Vocalists: Mid-range vocalists, Baritones, Companies: Cube Entertainment, Groups, Vocal Analyses, Vocal Ranges: 3 Octave RangesBtoB, 보컬분석, 비투비, 성재, 육성재, 음역대, K-Pop, Sungjae, Vocal Analysis, Vocal Pedagogy, Vocal Range, Vocal Techniqueahmin3 Continue reading BtoB’s Vocal Analysis: Sungjae →
BtoB’s Vocal Analysis: Changsub July 8, 20160. M Vocalists: Mid-range vocalists, Companies: Cube Entertainment, Groups, Tenors, Vocal Analyses, Vocal Ranges: 3 Octave RangesBtoB, Changsub, 보컬분석, 비투비, 음역대, 이창섭, 창섭, K-Pop, singing, Vocal Analysis, Vocal Pedagogy, Vocal Rangeahmin3 Continue reading BtoB’s Vocal Analysis: Changsub →